課程資訊
課程名稱
 音樂審美聆聽與美學
Listening and Music Aesthetics 
開課學期
 100-1 
授課對象
 文學院  音樂學研究所  
授課教師
 王育雯 
課號
 Music5062 
課程識別碼
 144 U0900 
班次
  
學分
 3 
全/半年
 半年 
必/選修
 選修 
上課時間
 星期四2,3,4(9:10~12:10) 
上課地點
  
備註
 音樂所文化核心課程
限學士班三年級以上
總人數上限：15人 
  
課程簡介影片
 
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課程大綱
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課程概述

什麼才構成音樂的美？是它的結構？是旋律､和聲､節奏？還是它所表達的感覺､情緒？它所描繪的景物､情節？美的音樂等於「好聽」的音樂嗎？什麼是「好聽」？ 音樂的美和它對人實際發生的作用有關連嗎？

不同文化中，音樂的美是否完全不同？如何不同？音樂的美有客觀標準嗎？如果有，為何沒有人能夠明確指出這些標準而受到大家一致認同？如果沒有，為何音樂美學家､理論家､評論家對於樂曲的優缺點（如coherence, balance等等）述說得頭頭是道，彷彿客觀的標準就在眼前？究竟音樂中有沒有可以讓眾人一致同意的「美」可言？對於音樂的美，又有哪些不同的看法？
 

課程目標
 本課程的目的，即在探討何謂音樂的美。特別是漢文化與歐洲文化之間，對音樂的價值、音樂的美有何不同主張？其背後的理由為何？其看法如何落實於樂曲之中？在不同的審美觀與價值觀之下，對於樂曲的欣賞角度是否不同？

不同文化的樂曲所適宜的審美活動是否本質上完全不同？或者仍有部分層面相通？在這些不同，甚至相左的看法或本質中，我們該如何取捨，如何與之共存？

本課程將藉由各種審美觀的相關文獻之討論，以及對於實際樂曲的賞析探究，落實我們對不同的音樂審美觀的理解､評論與分析。
 
課程要求
 平日口頭報告：每人一次，在上課時對於所指定的文獻作要點報告，並於報告前一週將要點整理交給授課教師修改，以便上課報告時，發給同學參考。
期末報告：對於所選的題目做(1)口頭報告，及(2)書面報告 
預期每週課後學習時數
  
Office Hours
  
指定閱讀
  
參考書目
 修海林。《中國古代音樂美學》。福州：福建教育出版社，2004.
修海林、羅小平。《音樂美學通論》。上海：上海音樂出版社，2002, 2006.
劉承華。《中國音樂的神韻》。福州：福建人民出版社，2004.
--------. 《中國音樂的人文闡釋》。上海：上海音樂出版社，2002.
--------. 《古琴藝術論》。南京：江蘇文藝出版社，2002.
劉藍。《中國音樂美學》。台北：文津，2006.

Berman, Laurence. The Musical Image: a Theory of Content. Westport, Connecticut: Greenwood Press, 1993
Budd, Malcolm. Music and The Emotions: The Philosophical Theories. London: Routledge &
Kegan, 1985.
Cooke, Deryck. The Language of Music. Oxford, 1959.
Davies, Stephen. Musical Meaning and Expression. Ithaca: Cornell University Press, 1994.
----------. “The Evaluation of Music,” What is Music? An Introduction to the Philosophy of Music. Philip Alperson, ed. University Park, Pennsylvanis: Pennsylvanis State University, 1994; pp. 306-25.
Fubini, Enrico. The History of Music Aesthetics; trans. by Michael Hatwell. London: Macmillan press, 1990.
---------. Music and Culture in Eighteenth-Century Europe. Chicago: University of Chicago Press, 1994.
Hanslick, Edward. On the Musically Beautiful. 1891.
----------. 《論音樂的美─音樂美學的修改芻議》楊業治譯，北京：人民音樂出版社，1982.
Katz, Ruth and Carl Dahlhaus, ed. Contemplating Music: Source Readings in the Aesthetics of Music. 3 Vols. New York, 1986.
Kivy, Peter. Sound and Sentiment: An Essay on the Musical Emotions. Philadelphia, 1989.
---------. Sound and Semblence: Reflections on Musical Representation, Ithaca, 1991.
---------. Music Alone: Philosophical Reflections on the Purely Musical Experience. Ithaca, 1990.
Langer, Susanne K. Philosophy in a New Key : A Study in the Symbolism of Reason, Rite, and Art. Cambridge, 1957.
---------. Feeling and Form: A Theory of Art Developed from Philosophy in a New Key . New York, 1953.
----------.《情感與形式》，劉大基 等譯. 台北: 商鼎 1991.
Le Huray, Peter and James Day. Music and Aesthetics in the Eighteenth and Early-Nineteenth Centuries. Cambridge: Cambridge University Press, 1988.
Lippman, Edward A. A Humanistic Philosophy of Music. New York : New York University Press, 1977.
---------. Musical Aesthetics: A Historical Reader . 3 vols. Stuyvesant, New York: Pendragon Press, 1986.
---------. A History of Western Musical Aesthetics. Nebraska, Lincoln, 1992.
(部份中譯：《西洋音樂美學史》，方銘健譯；台北：國立編譯館，2000)
Levinson, Jerold. The Pleasures of Aesthetics: Philosophical Essays. Ithaca: Cornell University press, 1996.
----------. “Pleasure and the Value of Works of Art,” The Pleasures of Aesthetics: Philosophical Essays. Cornell UP, 1996; ch. 2.
----------. “Evaluating Music,” in Musical Worlds: New Directions in the Philosophy of Music. Philip Alperson, ed. Pennsylvania State University Press, 1998.
---------. Music, Art, and Metaphysics: Essays in Philosophical Aesthetics.
Maconie, Robin. The Concept of Music. Oxford: Clarendon Press, 1990.
Meyer, Leonard B. Emotion and Meaning in Music . Chicago: University of Chicago Press, 1956.
---------. Music, the Arts, and Ideas: Patterns and Predictions in 20th-Century Culture. Chicago: University of Chicago Press, 1967.
---------. Explaining Music
Nattiez, Jean Jacques. " Musical Meaning : The Symbolic Web," from Music and Discourse: Toward a Semiology of Music, ch. 5. Translation and abridgment of Musicologie generale et semiologie (Paris, 1987). Carolyn Abbate trans. Princeton, 1990.
Plato, The Dialogues of Plato
Rosen, Charles. The Classical Style: Haydn, Mozart, Beethoven. New York: W. W. Norton, 1972.
----------. Sonata Forms (revised edition). New York: W. W. Norton, 1988.
Rowell, Lewis. Thinking About Music: An Introduction to the Philosophy of Music. Amherst,
Massachusetts: University of Massachusetts Press, 1983.
Scruton, Roger. The Aesthetics of Music. Oxford: Clarendon Press, 1997.
Sparshott, F. E. "Aesthetics of Music," New Grove Dictionary of Music and Musicians.
Strunk, Oliver, & Leo Treitler eds. Source Readings in Music History. New York: Norton, 1998.
Weiss, Piero and Richard Taruskin, eds. Music in the Western World: A History in Document. New York: Schirmer, 1984.

Value Judgment
Boulez, Pierre. “Aesthetics and the Fetishes,” and “Taste: The Spectacles Worn by Reason?” Orientations: Collected Writings. Jean-Jacques Nattiez, ed; Martin Cooper, trans. Cambridge, Massachusetts: Harvard University Press, 1986; pp. 31-62.
Dahlhaus, Carl. Analysis and Value Judgment. Siegmund Levarie, trans. New York: Pendragon Press, 1983.
Davies, Steven. “The Evaluation of Music,” What is Music? An Introduction to the Philosophy of Music. Philip Alperson, ed. University Park, Pennsylvanis: Pennsylvanis State University, 1994; pp. 306-25.
Everist, Mark. “Reception Theories, Canonic Discourses, and Musical Value ,” in Nicholas Cook and Mark Everist, eds. Rethinking Music. Oxford University Press, 1999; pp. 378-402.
Levinson, Jerold. “Evaluating Music,” Musical Worlds: New Directions in the Philosophy of Music. Philip Alperson, ed. Pennsylvania State University Press, 1998.
----------. “Pleasure and the Value of Works of Art,” The Pleasures of Aesthetics: Philosophical Essays. Cornell UP, 1996; ch. 2.
Meyer, Leonard B. “Some Remarks on Value and Greatness in Music,” in Music, The Arts and Ideas. University of Chicago Press, 1967; pp. 22-41.
O’Grady, Terence J. “Aesthetics, Ideology and Musical Value,” College Music Symposium 25 (1985): 152-65.
Reimer, Bennett and Jeffrey E. Wright, eds. “Greatness,” On the Nature of Musical Experience. Niwot, Colorado: University Press of Colorado, 1992; pp. 259-62.
Ricoeur, Paul. 《詮釋的衝突》，林宏濤譯。臺北市: 桂冠, 1995.
----------. The conflict of Interpretations. Ed. by Don Ihde. Evanston: Northwestern University Press, 1974.
----------. Hermeneutics and the Human Sciences: Essays on Language, Action, and Interpretation. Edited, translated, and introduced by John B. Thompson. Cambridge [Eng.]; New York : Cambridge University Press, 1981.
Ridley, Aaron. Music, Value and the Passions. Ithaca: Cornell University Press, 1995.
Schoenberg, Arnold. “Criteria for the Evaluation of Music,” Style and Music: Selected Writings of Arnold Schoenberg. Berkeley & Los Angeles: University of California Press, 1984.
Weber, William. The Rise of Musical Classics in Eighteenth-Century England: A Study in Canon, Ritual, and Ideology. Oxford: Clarendon Press, 1992. 
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